Numerous websites--including Wikipedia, Google, Reddit, Craigslist--went dark today to protest the proposed Stop Online Piracy Act (SOPA) and PROTECT IP Act (PIPA). The Daily Caller reported on one prominent defender of the legislation:
Former Connecticut Democratic Sen. Chris Dodd, currently chairman and CEO of the Motion Picture Association of America, condemned the SOPA “Blackout Day” as a “gimmick” and an “abuse of power” by the Web companies participating in the protest against pending anti-piracy legislation. . . .
While supporters of the legislation — including the MPAA, the Recording Industry Association of America and the U.S. Chamber of Commerce — have argued that legislation is needed to tackle the problem of foreign “rogue sites” that peddle counterfeit products to Americans, opponents of the legislation argue that it would jeopardize free speech.
Dodd . . . issued a statement on the eve of Wednesday’s “blackout,” in which he said that the blackout day was a “dangerous” “gimmick” “designed to punish elected and administration officials who are working diligently to protect American jobs from foreign criminals.”
“It is an irresponsible response and a disservice to people who rely on them for information and use their services,” said Dodd.
"It is also an abuse of power given the freedoms these companies enjoy in the marketplace today,” said Dodd, “It’s a dangerous and troubling development when the platforms that serve as gateways to information intentionally skew the facts to incite their users in order to further their corporate interests.
Writing for Forbes, Josh Barro of the Manhattan Institute attempted to place the debate over SOPA in historic context by arguing that the MPAA's fear of the internet is reminiscent of the organization's earlier fear of VCRs:
Thirty years before SOPA, the MPAA was in Washington, demanding legislative protection from a new and dangerous technology: the VCR. Here’s then-MPAA head Jack Valenti, testifying before a House Judiciary Subcommittee in 1982:
I say to you that the VCR is to the American film producer and the American public as the Boston strangler is to the woman home alone…
The Mediastat’s analyst says that 67 percent of the VCR owners own no prerecorded cassettes and 72 percent plan to buy one in the coming year and 48 percent have never rented a prerecorded cassette. The major source of programing material is home recording, which thus preempts prerecorded tapes and their revenue…
The loser will be your public because they don’t have these expensive machines. And that is what I am saying, sir. The public is the loser when creative property is taken and here is the reason why. The investment of hundreds of millions of dollars each year to produce quality programs to theaters and television will surely decline.
Of course, home video (and later DVD) went on to become a hugely profitable delivery channel for movie studios. Far from decimating the industry, it grew profits, especially for studios like Disney with valuable back catalogs. It just goes to show, disruptive technologies can have different effects than you expect.